juillet 14, 2014
ateliertovar:

Zerkalo (Andrei Tarkovsky, 1975)

ateliertovar:

Zerkalo (Andrei Tarkovsky, 1975)

juillet 13, 2014

(Source : namk1, via nakedandthedead)

juillet 6, 2014
Nobuyoshi Araki's Erotos

douglaslowell:

image

Opening Erotos by Nobuyoshi Araki (1993) is like finding a door in your home that you never saw before and walking through it.

image

It doesn’t feel exactly like any other Araki book I’m familiar with (and, just as I have not counted all the grains of sand at the beach, I have not seen all…

juillet 5, 2014
girlflapper:

Erwin Blumenfeld -  Manina, Paris, 1937 by greta_g on Flickr.

girlflapper:

Erwin Blumenfeld - Manina, Paris, 1937 by greta_g on Flickr.

juillet 4, 2014

rudygodinez:

Noah Wilson, Four Images From “Our Land”, (2011)

‘The photographs in this series use landscape imagery appropriated from an archive of early 20th century negatives that I acquired while working as artist in residence at the San Francisco dump. These negatives have a nitrocellulose base (a medium used between 1889-1930s, but replaced in the 1920s by Kodak “Safety Film” because of the early medium’s proclivity to decay and self combust). Due to the unstable nature of this film, the negatives exist in various stages of deterioration and distress. I’ve used a flatbed scanner and sunlight as a backlighting source to record both the photographic information and the surface of the negatives. I make several scans of each negative at different times of day, and depending on the quality of the sunlight (diffused or direct), I capture varying interpretations of each negative.  Diffused light allows the flatbed to record more of the film surface, and direct light illuminates more of the photographic image.  Sunlight and the degradation of the film brings color into these, otherwise, monochromatic images.  I build each of the pictures out of several scans made at different times of day to create a composite image.  In the end, I’m trying to create a picture that describes the place that was photographed as well as the film artifact.”

(via)

(via darksilenceinsuburbia)

juin 21, 2014
la-beaute—de-pandore:

 
Bill Brandt Campden Hill, London, 1977, August 

la-beaute—de-pandore:

 

Bill Brandt Campden Hill, London, 1977, August 

(Source : billbrandtarchive.photoshelter.com)

juin 15, 2014
"Go into the arts. I’m not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow , for heaven’s sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something."

— Kurt Vonnegut (via renegadequeens)

(Source : thecompleteillustrated, via lady-arryn-deactivated20140718)

avril 26, 2014

nevver:

Photography Club

avril 21, 2014
hoodoothatvoodoo:

Playboy bunnies wave as Hugh Hefner’s private jet arrives in London.
1970s

hoodoothatvoodoo:

Playboy bunnies wave as Hugh Hefner’s private jet arrives in London.

1970s

avril 21, 2014
hoodoothatvoodoo:

Alphonse Marie Mucha

hoodoothatvoodoo:

Alphonse Marie Mucha

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